Tag Archives: cello

How do you know where to put your fingers?

Posted on September 16, 2012 by miriamtroxler

“The cello has no frets! How do you know where to put your fingers?” Finger placement uses multiple senses. Primarily I use my ears to place my hands on the fingerboard. However there is a kinesthetic aspect to playing. I remember … Continue reading →

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Play in Week

Posted on July 1, 2012 by miriamtroxler

Remember, Play in Week is next week. If you have lost your schedule, you can get a new one here. Play In Week Schedule

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Music Camp Beginner Group Concert Photos

Posted on June 17, 2012 by miriamtroxler

This gallery contains 10 photos.

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Videos from Sara’s Recital

Posted on June 3, 2012 by miriamtroxler

Suite No. 3, Bourree I, JS Bach Consecration Hymn, Gruetzmacher Serenade, Goltermann Concerto in G Minor, I Allegro, Vivaldi Concerto in G Minor, III Allegro, Vivaldi

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Concerto Workshop

Posted on May 25, 2012 by miriamtroxler

  Concerto Workshop will rehearse this year at Trinity Church in Beaver. In the evenings from August 6th through August 10th musicians of all ages will be able to explore the art of the concerto. The theme this year is … Continue reading →

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Play in Week

Posted on May 21, 2012 by miriamtroxler

Save the date. Play in Week will be July 9th through 12th this year. The Play In Week Schedule is here.

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Sara with her cello

Posted on May 19, 2012 by miriamtroxler

Part of Sara’s recital invitation.

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Music Camp

Posted on May 8, 2012 by miriamtroxler

Just a reminder, the early registration discount is May 15. Camp Flyer 2012

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Music Camp

Posted on April 25, 2012 by miriamtroxler

Music Camp will take place at Trinity Church from June 11- 15.  The theme this year is “Vacation Adventure.” Camp Flyer 2012 For more information, call Lorinda Troxler 724-774-0750.  

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Eight pitches, Ten possible fingerings

Posted on April 19, 2012 by miriamtroxler

Vivaldi’s Concerto in G Minor for two cellos is one of the works for Concerto Workshop this year. I have been looking at it with fresh eyes. In the first movement, both solo parts begin with the same two measures. … Continue reading →

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